In this classic The Carol Burnett Show sketch, Tim Conway and Harvey Korman stumble through the desert, exhausted and delirious. What starts as a simple survival scene quickly unravels when Tim begins seeing mirages, chatting with thin air, and even contemplating marrying a cactus. Harvey struggles to keep a straight face as each line gets more absurd. Then “Last call!” — and Vicki Lawrence appears, pushing the chaos over the edge. The audience roars, Harvey nearly breaks, and Tim plays it perfectly straight — pure, warm, brilliantly timed comedy.

This is one of the most hilarious skits from the Carol Burnett show. Tim Conway and Harvey Korman are wandering lost in the Sahara when they stumble across a mirage. They come across what appears to be a bar in the middle of the sand. They bicker back and forth about whether it is an actual table or a rock formation.

Suddenly, Vickey Lawrence comes out and says, “Last call!” and Harvey and Tim are excited to see her. They again argue over whether she is real or fake. Harvey says, “You think you see a beautiful girl, but it’s really a cactus!”

The Carol Burnett Show – Lost In The Sahara

When Tim’s character suggests that he and “the cactus” get married, Harvey’s character loses his mind. He beseeches Tim not to let the desert get to him, even smacking him around. Harvey gives Tim a sip of water out of the canteen while trying to convince him that the beverage in front of him is sand and the laughs come fast and furious.

These skits from The Carol Burnett Show are priceless. Tim Conway and Harvey Korman made a great duo. It is a shame; they just don’t make comedy like this anymore. This was good-natured fun that made everyone laugh.

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The second Tim Conway stepped into that scene, you could already feel it coming. That slow walk, the squint, the pauses that stretched just a little too long — it was like watching a setup you knew was about to explode. And right there next to him, Harvey is doing everything he can to hold it together… and failing spectacularly. The outlaw’s already cracking, the room starts to shake with laughter, and Conway just keeps pushing it further — slower, quieter, more ridiculous with every second. That’s what made it magic. No rush, no noise — just perfect timing and the kind of control that turns silence into chaos. By the end, nobody’s in character anymore. Not Harvey. Not the cast. Not even the audience. Just pure, unstoppable laughter.

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